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Three Splotches of Ink is an accumulation of all things book-related. It is a place where the art of the written word can live and thrive far away from AI and Amazon. Explore the world of reading and writing on our blog, find suggestions for new reads on our bookshelf, find new, original works from our site’s founder, and more. Join your community of fellow readers via the TSOI Book Club, find exciting up-and-coming publications, and even contribute your own writing and reviews, too. Share your love of the literary world with us!
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I always knew that I would write. And from the moment I learned to read, I latched onto books. Before that, I insisted people read to me. I didn't care if it was lines from a car manual written in German, an oversized picture book, or a chapter book that went over my head. In first grade, my favorite teacher upon reading one of my assignments asked me what I wanted to be when I grew up. When I had no answer, she suggested that I be a writer. In retrospect, she likely recognized semi-legible and somewhat cognizant work for a first grader. It realigned my perspective, though. One moment, I didn't realize that writing was an option, and the next, it became the only option. In those three words --"Why not write?"-- stories evolved from an escape -- an abstract vacation spot from my life -- to an aspiration vast enough to live in. I wouldn't be visiting; I would be setting down roots in that world of language and story.
In college, Three Splotches of Ink (version 1.0, if you will) hosted my personal writing with the intention of creating a following. I enjoyed basking in its potential… in private. I fought crippling insecurity, especially in allowing public access to something at the crux of my identity. The dread was so debilitating that in my first real writing workshop -- an "introduction to poetry writing" class -- I kept every piece I wrote locked-down. I turned my work into the teacher, and never once offered a piece for class review. Once in another class -- a creative writing workshop with eight students and an actually organized teacher from whom no one could hide -- I was twenty minutes late. I was across the hall in the women's room dizzy, puking, and crumbling under my anxiety. It was the day dedicated to discussing one of my works. With time, I forced myself to post unimportant bits of unedited poetry and miscellaneous scenes without context, and the vulnerability became easier to stomach. Literally. The anxiety stuck fast though. Even with 17 years of writing in private, I have yet to pursue any form of official publication.
Fast forward into adulthood, after years of shredding through the library stacks, befriending librarians over other kids (I know, very Matilda of me…), being fought over to proofread and peer-review school work, writing all the time about any and everything, and finally after going on to study the English language and creative writing at the college level... In the mid-2010s, I became a bookseller at my childhood bookstore, an independent institution with a notable legacy amongst the literary community. I knew I had an unprecedented love for all things literary. What I didn't know is how the following years working neck-deep in the literary industry would change everything, for better and worse.
I flourished at the bookstore, leaping from bookseller to manager in a matter of months. My writing skills and my love of literature were employable in new, fulfilling ways. I read hundreds of books -- anywhere from two to four a week, averaging at 100 to 200 titles per year -- on top of working as a full-time manager and taking college classes. A lot of what I read were ARCs, or advanced reader copies (proof copies of soon-to-be-published works provided by publishers for reviewing and marketing purposes), so my reading helped to promote books before public release. I also read countless older titles, so I was also bringing older gems back into the modern light with my recommendations.
In a surprisingly effective attempt to face my social anxieties, I learned to host events. This led to moderating two book clubs (Adult Fiction and Teen) and overseeing the operations of a third club (Adult Non-Fiction). I hosted monthly recommended reading nights, too. I'd hound my co-workers to send me their recommendations-- whatever they were enjoying at the moment regardless of age, reading level, or content -- and presented our picks to customers over refreshments. Soon, people were asking for me by name to help them choose titles. Entire book clubs would request suggestion lists, sometimes private presentations from me. My creative whims such as the Blind Date with a Book program, interactive displays, and even random art pieces and handmade signs were even appreciated. I had found my place in my community and thrived.
Years passed and I became company's special projects coordinator, lead merchandiser, and founder of their first ten-group book club program (50+ years and they never had an official company-wide program, only fleeting location-specific groups.) Even as everything changed entering the covid-era, I found solace at the bookstore. It remained the job that didn't feel like work. If anything, I felt that every book put in someone's hands and every recommendation I curated added positivity to someone's life (especially when so many people turned to books while under the Shelter-In-Place order).This is where Three Splotches of Ink took root. I recovered my accounts, updated the web design, and launched Three Splotches of Ink 2.0: a website where I could share my personal writing (with my growing confidence) and share my book reviews. TSOI became the covid project to fill the void created by social distancing.
As a nation we moved towards normalcy, yet something fundamental had shifted within the bookstore. The company had taken brutal hits from the community due to the domino effect. Ownership shifts led to poor judgement calls by overworked superiors which led to massive sudden employee turnover and so on. Unfortunately, it was only the beginning. At first, the false sense of re-stabilization post-shutdown created an illusion of upward motion. Then, everything really fell apart. New managers forced out OG employees (some with over 20 years of experience there…) in exchange for inexperienced individuals who were either like-minded to the abusive new owner, were too desperate for work to question, or were too blinded by the novelty of working there to even see the deepening issues. After many, many sleepless nights, I decided that I couldn't contribute to the corrupted infrastructure. Even though it would be another year and a half before the general public could see, I couldn't stomach those people for another minute. So, one morning I scheduled a resignation email, logged out, and that was that. I left behind my tribe, my sanctuary, and my career in a single decision. It cut deep, severed something in me. Between that and some other poorly-timed traumas in my personal life, I found myself cut off from everything and everyone I loved. I longed to go back to people I had abandoned and to places that didn't exist anymore and questioned every decision. It was the second instance like this in my life, but this time, I lost my sense of purpose in the community and abandoned my passions. I couldn't do it; Reading and writing became impossible, because it was too intertangled with the pain in my heart. I tried, but the depression, anxiety, and other underlying issues were too overwhelming.
I didn't write anything for a very, very long time. I tried to read, but I dropped from 100+ books a year to two or three max. I had never felt more alone, more abandoned, and more willing to drop everything and give up. After a couple of years bouncing from job to meaningless job, spending time working through childhood and young adult traumas, I built myself back up again a piece at a time. I found important people here and there. I channeled some of my energy into positive practices like getting my health back under control and finding new, artsy hobbies. But, that hole in my core where that community and those practices of reading and writing once bloomed lingered.
Many times people told me that I "needed to do something hard" to see that I can still be strong and successful. In others' minds, it was completing something tangible, with a beginning, end, and clear product like running a marathon. I understood, though. For me, that "hard thing" was finally addressing that festering internal wound, and rediscovering my sense of purpose. Easier said than done. At first, I thought I'd be able to explore books again at my current job -- a part-time bookstore coordinator for a small tech school --but, it's too small a scope and thus unsatisfying. I switched gears and tried to do NaNoWriMo 2023. (For those who don't know, NaNoWriMo -- or National Novel Writing Month -- is a writer's marathon. The gist: write between 2,000 words DAILY over the course of a month to enter December with a rough draft of approximately 60,000 words, i.e. a novel.) Needless to say, I didn't complete a draft. I do still consider the practice to be a success. I revisited an abandoned work in progress and I ended the month with 29,000 words and a solid plan for finishing it off. I may not have hit the conventional goal, but I did something I found hard that helped me start to heal.
NaNoWriMo provided a clear-cut writing challenge, which in turn led me back to TSOI. Assuming the project had again died since 2021, I decided to create an online writing portfolio from TSOI's carcass. That's when I saw the view count for the site. It blew my mind! I hadn't done a thing for two years and still there were hundreds of unique views a month, most of them of my book reviews. Imagine how many people I could connect with, share books and writing with if I actually tried! So, for the second time, I recovered all my accounts including a few resources from my bookstore days, redesigned, and viola: Three Splotches of Ink 3.0.
In this lifecycle, I do have ideas for an Original Works section, but at this stage I'm more interested in rediscovering my fellow bibliophiles. I want to reach avid readers through literature before I focus on my public writing career again. The website's focus is now on the world of books -- title recommendations, book lists, news in the reading community, book clubs, and the like -- with the goal of creating a safe public space to connect readers. I aim to provide information and to foster the growth of a community that is of such high value. I even see the for Three Splotches of Ink to one day blossom into an independent bookstore based on the ideals that inspired me in the first place. It's a challenge -- another hard thing for me to work towards -- and though there are the self-serving motives of building my confidence and carving a place for myself in the world, I look to support myself by supporting my community. If I can create positivity and joy by putting one more book into someone's hands, then the venture is a success.
Alice lives with her three fur-babies, Mona, Tisha, and Ellie. She is a punk rock recluse who finds herself in management at local bookstores—specializing in making everything look beautiful. She also enjoys coordinating book clubs and hosting book recommendation events, because she believes there is a book out there for everyone, whether you know it or not. She also loves working with artists of all kinds via conventions and at unusual creative events like the Renaissance Festival.
She has completed and received the International Baccalaureate Diploma, and has since studied creative writing at the University of Colorado Denver, where she also served as an assistant editor on their national literary journal, Copper Nickel. She is an aspiring writer and voracious reader with a passion that's festered for the better part of 25 years. From the time she picked up a pen and learned her first letters, she knew she would be a writer.
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